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Leftover Beats From The Edges Of Time

by Gabriel Zucker

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  • Compact Disc (CD) + Digital Album

    Comes in a beautiful 6-panel digipak with additional artwork by Justin Neely. Ships in late September.

    Includes unlimited streaming of Leftover Beats From The Edges Of Time via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
One silhouette to mark the road down the clock has blown round One anchor up we’re drifting lightly so satisfied, we’re somewhere we’ve thrown away the note that rang inside me Someday will show, the world may not align With all these leftover beats from the edges of time
2.
And maybe we’ll be to(o/gether) The kids on the beach The trees full of fruit The sky made of heat Falling icy and new Familiarly Resplendently blue And maybe we’ll roam such closer Alone once again and gladder than new your smile in the sun all shiny and you and maybe we'll be the things that we knew and maybe we’ll love such closer The castle at night Such purple it shines Like bulbs in the dark Like cities and lines The lovers we’d be that the sea undermines But maybe we’ll be such closer The lovers we’ll be the lovers we knew We left them to see the world black and blue you look at the river your eyes full of you and maybe we’ll love such closer It’s all that I want The light on the bed draw paintings at night and coffee at dawn run to the beach away from the clowns and maybe we’ll be such closer Any writer could sell the man in the moon To innocent girls Who dream yellow rooms Who saturate white the walls and the brooms and hope they’ll come out such closer A space here for you (acid-washed and blackened roofs) A space here for me (aged like the willow trees) And hope that the space would hold there Maybe we’ll be such closer
3.
4.
[Part 1 - plants] And all the lights ahead… You ran around my head the days we lay in bed, our notebooks sharp and red, with all the things we said collapsing in my head And all my plants are dead Dirty glass in the sun Shining mornings undone Bitter simmering underneath the words we said, the little lines we bled And all my plants were dead The leaves fall down my head My letters, dark and misspelled, impulsive into themselves, gather dust on your shelves and all my plants are dead They’re running through my head While we ate cheese and bread and dirty apples, red light sun played at your bed and all my plants are dead And all the art incredible inside my head Through all the nights in red While all my plants were dead And all the ends you fled I’ll cry and stay in bed with tenderness and dread you’ve lost inside your head And all my plants were dead [Part 2 - Watch you] To learn how to love you in these times And learn to be younger when you’re mine And burn like the silhouettes we were Dressed up in black against the earth But someone to watch you in these times And some way to roll you when you’re mine Sleeping such older than we were Lovers grow simple and defer to sweet little compromise and home Wrinkled and satisfied and known Awake with a shadow of your day Your lover the echo of your fate When we’re unstoppable and new And all the neatness you’ll undo Falling in circles by the shore In trivialities and doors in Midwestern cities you ignore And all you’re agreeing to adore We’ll be what we’ll be We’re straining to be The days we could be We’re straining to be These leftover beats This leftover heat Unbound and complete These leftover [Part 2 - unforgivably] Unforgivably above, unforgivably of love Red-lipped fortune-tellers sing all behind her face, and going nowhere in the end, go nowhere sometimes, Unforgivably, and sometimes red-lipped fortune-tellers sing Hope she pulls me out by my ears, in honey thick on the floor, haven’t much been there lately in your curtains on afternoons and walls, while the red-lipped fortune-tellers spin around you endlessly — fields of domesticity, home to New York City, and In time you realize There are people you will love your whole life without ever really knowing them. Bright-eyed in the chapels, sing going nowhere while the red-lipped— No way to attack — sometimes I fall in love with no one Just to float, swing high off tall buildings in new york city [Part 3 - Watch You] Someone to watch you in these times And some way to roll you when you’re mine And learn how to love you in these times Learn to be younger when you’re mine When we’re unstoppable and new And all the neatness you’ll undo Falling in circles by the shore In trivialities and doors And burn like the silhouettes we were Dressed up in black against the earth in Midwestern cities you ignore And all you’re agreeing to adore [Part 3 - Full of light] Everyone seems to be so full of light And everything’s neat and clean in black and white Everyone seems to be so lost of light And everyone seems to be alone at night Everyone seems to be so hard to right And everyone’s lost the things they thought were light And all the walls seem so clear and so uptight And everyone dreams to be so warm and trite
5.
6.
Wild on caffeine and crying Atonal in rich harmony Electric, we lose sight of dying Believing is so hard to see Now it’s the way we’ve been going Untrammeled and effortlessly Look at the seeds that we’re sowing We smile we know how to be You know we’re apostles and running Waving our arms to the sea A smirk and a drink for our cunning adulation It’s getting so easy to be We sink like the world satiated Secure in the paths that we bleed Our laughter is so understated The innocent minds we can read The artists are appreciated Like courage and celibacy In time we’ll run out of importance Now roaring our future to be I lost my confidence white, oh darling I’d lose it all to be alright Sometimes I wonder at night, oh darling, If I will ever be alright Sometimes I wonder at night, oh darling, If we will ever be alright Sometimes I wonder at night, oh darling, If we will put up a fight
7.
Songbird 05:54
And when these nights pass by, you guess it could be alright But when these days arrive, there’s no one to be And all the nights pass by dreaming in parasites And all the days arrive with butter and tea And as the nights pass by your neighborhood’s shining bright But when the days arrive it’s not much to see And as the nights pass by, your livelihood mesmerized In terrible magic eyes it’s hard to believe And we love to fall in love so much more than we do We love to be the one in love with ourselves, someone new And I’m always dreaming of your snow-white dress against the blue You long to be the one in love while the artists make do And I’d love to fall in love — When the nights go by, believing in fireflies You wanted to feel alright, like there’s someone to be It must be nice feeling so satisfied Feeling your days roll by, so effortlessly And I’ve heard your cries and process and paralyze Of pictures and terabytes of code you could read Maybe you’ll smile bright when the President holds you tight Hysterical firelight, there’s no one to be And yes I know I used to write so much more than I do I know I used to fall in love so much more than I do And I know that you can love so much more than I knew I know you could have been in love like the songbird in tune I know it could have been enough if it was all up to you It’s one of the last times I will be by myself in the new Picking flowers in a field only touched ever by you I know I wasn’t here enough in the smoke and the moon There’s not much left to lose my love, cause we’re alone, now we two Eager kisses in the past, oh I was leaving so damn soon Quiet castles in my room wasting time and showing off Hold my moon-caked hands aloft where they point back to the sun I’d love to leave you where you asked, to be quiet, and alone Quiet symphonies in black wide awake a dying poem And we love to fall in love so much more than we do We love to be the way we are, where we are, when we’re new Where the lights are gold and red in the park and the moon I wish I knew the ways to wait slow in love still with you I wish I knew how to relate to a songbird like you
8.
It’s all pretty well, dear, there’s nothing to hide, and the glass of the ice in the trees You full of ideas, they slide, they could needle your incontrovertible monotone She’s pretty well, dear, she’s living the way that she dreamed in the prairies each noon The charcoal-gray suits cutting shadows on trains, and nobody knows how it drives you insane And you sleep in a plane that could land on the moon Brahms was enormous, the world without end, how I cried when we were twenty-two Newspaper squareness, disposable pens: if we weren’t so mortal, we’d never pretend. we slip through the daylight, uncaring and blend Indiscriminate fear of the gray and the blue It’s all pretty well, and these walls will be leaving us soon New York is astoundingly empty outside, it’s amazing there’s anyone true It forges ahead with the vacuous fight of meaningless progress, unending and bright progressive nostalgia, and bluish gray light of privatized people in taxis at night On the Manhattan Bridge you pretend to be blind, running further and further away It’s all pretty well, and these walls will be leaving us soon It’s all pretty well, dear, there’s nothing inside, and it all will be leaving us soon. ** One minuet to mark the road down the clock has blown round One passing light the stars don’t show now the skies don’t know how My dotted note has jumped the beat that she alone sounds. One day will show, the truth may not align with all these leftover beats from the edges of —
9.
And we echo slow where our words don’t align Our weary eyes on a hollow line And the snow will melt where the sky doesn’t shine All pretending to love in these shallow times And now we’re just waking up again and again and again And I’ll try to sing all these lovers we cry And the man who thundered the smile in his eye But it’s hard to glow where the sky doesn’t shine To fall deeply in love in these shallow times And now we just gray the moon again and again and again High and cold like a plane again The streets erasing the stars again And now we’re just waking up again and again and again I remember sweeping the floor with my Unintentional self in the morning light To imagine long and eventually find All the dusty jewels of a musical life But we follow rules a computer could write It could sing like a swan in these shallow times And now we’re just waking up again and again and again And hoping to fall apart again And dreaming of singing out again We pixelate slivered moons again and again and again High and cold like a plane again The streets erasing the stars again All these men who run will eventually fly And one day we’ll hold them impossibly high With a quiet faith in the future’s eye While we stumble along in these shallow times And maybe it’s still to come again, and again, and again Humanity through the slums again Whisper the dreams you’re from again But maybe I’m going home again and again and again To sing like a buzzing drone again Maybe I’m going home again Expecting the world explode again and again and again Maybe I’m coming home again So simple your monotone again And all the crooked jabs of isolation Pushing through the twisted face of exile I’ll live for a while for all these people And all the crooked jabs of isolation Pushing through the twisted face Endless weeks of isolation Running through the exaltation, meanwhile Always seem to run in place Cavorting in the sunny days of exile Rearrange the things we lost The unimaginable cost Of holding to a little string And start to sleep and start to sing in exile Wayward and wild Always seem to run in place We sweep the floor with oil and mace Waking with a weary face Cavorting in the sunny days of exile Run for a mile without your shoes on And when stochastic we arrive I learned, my darling, how to drive, and meanwhile We’re single file across the lookout To rearrange the things we lost The unimaginable cost of exile Remember he smiled at all the people
10.
I loved the late sun, confess to you once so harsh like the night, it smolders but maybe we’ll taste, and maybe befall The songs that we’ll know when we’re older Eventually learn, the symphonies all Pretend that we know the most, dear a day on the grass, so beautiful bright the eyes that could bowl me over oh miserable time, the games that you play intelligent, calm, and colder of plans that we made, impossibly free and maybe we’ll be such closer To paint in the rain, impetuous love Soaked at the midnight grocer Pedestrian plain, when we conjure it up We’re dying to inch a bit closer oh miserable you, and miserable me we’ll meet on the plane and torture The spring that we broke, applause on the beach and sing to the Union soldiers And hidden in smoke, for how kind you can be Angry and breaking boulders I’m yours like a joke, for everyone to see Obsessed with the things I told her my head in my hands, I try not to count the years we’re alive and older Unbearable you, unbearable me I’ll die and we’ll dream such closer
11.
One cigarette you listen lightly soft at my side, we’ve One slivered moon the circle shines free without the light, see somewhere this dotted note will fall alone beside me The world may show we never quite align Stuck at the end of the beat and the edges of —
12.

about

piano, compositions, lyrics, vocals, electronics, production: Gabriel Zucker
trumpet: Adam O’Farrill (mvt. 1, 2, 4, 6, 9, 10, 11), Nolan Tsang (mvt. 1-11)
tenor saxophone: Anna Webber (mvt. 1, 2, 4, 6, 7, 9-11), Eric Trudel (mvt. 1, 2, 4, 6, 10-11)
clarinets: Yuma Uesaka (mvt. 3, 5, 8)
viola: Joanna Mattrey (mvt. 3, 5, 8)
cello: Mariel Roberts (mvt. 3, 8)
vocals: Artemisz Polonyi (mvt. 1, 2, 4, 6, 10, 11), Lorena Del Mar (mvt. 1, 2, 4, 6, 10, 11)
bass: Bam Rodriguez (mvt. 1, 4, 7, 9-11), Mat Muntz (mvt. 2, 4, 6)
drums: Gabriel Globus-Hoenich (mvt. 2, 4, 6, 9), Alex Goldberg (mvt. 1, 4, 7, 10, 11), Kate Gentile (mvt. 3, 8)
guitars: Matteo Liberatore (mvt. 5), Tal Yahalom (mvt. 9)
canine vocal: Lenox (mvt. 10)

produced by Gabriel Zucker
mixed by Chris Connors, Gabriel Zucker, and Alex Goldberg
mastered by Carl Saff
engineered by Max Ross and Ryan Streber
recorded at Systems Two (2-3 December 2017) and Oktaven Audio (20 November 2019)

album art and design by Justin Neely

Leftover Beats From The Edges Of Time | Oxford — New York | February 2016 — October 2017
with themes from: October 2015, April 2015, August 2012

The artist alone decides...
(c) & (p) 2021 ESP-Disk' Ltd.

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released September 24, 2021

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Gabriel Zucker New York, New York

Gabriel Zucker is a pianist, composer, and multi-instrumentalist from New York, whose work combines maximalist compositions with the progressive improvisation of New York’s creative music scene.

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