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What's left (when we are always honest) / The Future Was A Place

from Weighting by Gabriel Zucker

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about

I had always admired people who had a palpable sense of their own future, who constructed plans and then followed them. That was how Sandro was. He had ambitions and a series of steps he would take to achieve them. The future, for Sandro, was a place, and one that he was capable of guiding himself to. Ronnie Fontaine was like that, too. Ronnie’s goals were more perverse and secretive than Sandro’s, but there was a sense that nothing was left to chance, that everything Ronnie did was calculated. I was not like either Sandro or Ronnie. Chance, to me, had a kind of absolute logic to it. I revered it more than I did actual logic, the kind that was built from solid materials, from reason and from fact. Anything could be reasoned into being, or reasoned away, with words, desires, rationales. Chance shaped things in a way that words, desires, rationales could not. Chance came blowing in, like a gust of wind.

— Rachel Kushner, The Flamethrowers

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from Weighting, released November 16, 2018

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about

Gabriel Zucker New York, New York

Gabriel Zucker is a pianist, composer, and multi-instrumentalist from New York, whose work combines maximalist compositions with the progressive improvisation of New York’s creative music scene.

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